In what ways can cinema be said to present new ways of representing thought that offer an alternative to a linguistic paradigm?

In what ways can cinema be said to present new ways of representing thought that offer an alternative to a linguistic paradigm?

Answer with reference to at least two films discussed on the module. Next films can be used: Hamlet (Lawrence Olivier, UK, 1948), Persona (Ingmar Bergman, Sweden, 1966), Meshes of the Afternoon (Maya Deren, USA, 1943), Tout la mémoire du monde (Alain Resnais/Chris Marker, France, 1956), Maya Deren, Dances for Camera (Maya Deren, USA, 1946-1955), Pickpocket (Robert Bresson, France, 1959), The Thin Red Line (Terrence Malick, USA, 1998)